A&E
(Cinema, TV and Tunes)
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CINEMA.
For me, indie film means Lloyd Kaufman, and the Toxic Avenger.
by david elliott
[03.15.2005] -
CINEMA.
My educator: Emmanuelle.
by paul toth
[02.28.2005] -
CINEMA.
I lost my head — briefly — for The Thing That Couldn’t Die.
by corey mesler
[02.28.2005] -
CINEMA.
It’s been 10 years since the lovers of Before Sunrise failed to keep their promise. Are they happy with that?
by samantha bornemann
[12.16.2004] -
E-PROFILE
Producer, songwriter, musician, engineer… It’s all about music for Brian McTear. Meet the man behind Bitter Bitter Weeks.
by bryson meunier
[08.25.2004] -
E-PROFILE.
Marah’s Serge Bielanko wasn’t always so good with a guitar. That and other revelations in our Q&A.
by samantha bornemann
[06.30.2004] -
BOLD NEW WORLD.
The grades are in for Gilmore Girls, the latest series to brave TV’s college curse.
by samantha bornemann
[05.28.2004] -
NEVERMORE.
The good, the bad and the funny. Why Kurt still matters 10 years after his death.
by a.p. friday
[04.05.2004] -
E-PROFILE.
Flaming Lips singer Wayne Coyne dishes on touring with Beck and chatting up Ted Danson.
by ted sablay
[12.20.2002] -
EIGHT DAYS A WEEK.
My guide to rockin’ and copywriting.
by bryson meunier
[10.23.2002] -
REALISM TV.
Why Felicity is so freakin’ smart, and why I’m sad to see it go.
by bryson meunier
[05.22.2002] -
CINEMA.
Pucker up for Vampire’s Kiss, a twisted take on the undead world of publishing.
by a. richard langley
[03.23.2002] -
GRRR! ARGH!
A girl can get tired of saving the world. Just ask Buffy — er, Sarah. That brilliant Joss Whedon is making it more and more difficult to tell where one ends and the other begins.
by anaheed alani
[03.20.2002] -
CINEMA.
Yes to The Royal Tenenbaums, its music and its misanthropes.
by bryson meunier
[01.31.2002] -
CINEMA.
No to The Royal Tenenbaums: A series of beautiful stills doth not a “genius” movie make.
by ben kim
[01.31.2002] -
NEVERLAND.
Nirvana ruined my life, sure, but thank god for that. Exploring the real impact of a watershed 1991 album.
by bryson meunier
[10.23.2001] -
BOYS W/ BUZZ.
An attempted email debate on well-hyped band the Strokes and the machine they rode in on.
by michael solita
[08.30.2001] -
FILMMAKERS.
Moulin Rouge director Baz Luhrmann has a single aim. His films are meant to make you — every last one of you — not think, but feel.
by samantha bornemann
[08.14.2001] -
WHAT’S ON TV.
You’ve gotta know when to go: On primetime hits that are past their prime.
by shana naomi krochmal
[07.19.2001] -
E-PROFILE.
Hey Mercedes frontman Bob Nanna talks music, fritters and the view from the stage.
by michael solita
[07.12.2001] -
BANDWAGON.
A Reality TV staffer explains why the format is a network’s wet dream.
by j. ryan stradal
[06.19.2001] -
LA REPORTA SCENA.
An evening of Latin death metal at La Kueva.
by jake alrich
[04.06.2001] -
MISDIRECTED MAIL.
Misdirected mail: Her very first letter to a famous person — and she chose Chris Klein.
by jessica popover-cimino
[03.23.2001] -
GREASEY DREAMS.
Who’s that guy? One woman’s ode to the world of Grease 2.
by robin schorr
[03.22.2001] -
BODY COUNT.
Enumerating the acts of reckless violence in Seagal’s comeback of the year.
by doug mosurak
[03.22.2001] -
SCREAMING GENIUS.
Affectations that become habit. The cult of Kicking and Screaming, Noah Baumbach’s 1995 film.
by samantha bornemann
[03.19.2001] -
SERVICE PIECE.
How to make a movie on no budget.
by mark e. greene
[03.19.2001] -
EIGHT DAYS A WEEK.
Ever wonder what it’s like to run an indie record label? We got the details from the man behind My Pal God.
by jon solomon
[01.10.2001]
